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Winters was in choirs and glee clubs through her school years, but her father’s work took the family out of the Bay Area for a while. “I was completely uprooted and felt very out of place. I picked up guitar, so I could sing and play. It was close to the time when the James Taylors and Carole Kings and Joni Mitchells were emerging. So I got swept away into that singer-songwriter element.”. She loved to sing and dance, so musical theater seemed to be a natural focus at college. But Winters kept getting hired for sessions, to record songs and commercials. “I really got swept into the amour of that.”.

Sing with Mission Valley Chorus: Are you a woman who loves to sing? Do you ballet shoes 3d model want to experience the joy of singing every week? The Mission Valley Chorus invites you sing with the group, Visit any Tuesday, 7:15-10 p.m., at Nordahl Hall, 580 W, Parr Ave., Los Gatos, missionvalley.org, Yoga for Beginners: Mrs, Dharwadkar leads a weekly free yoga class for beginners, Sundays, 5-6 p.m, Joan Pisani Community Center, 19655 Allendale Ave., Saratoga, Free, RSVP is required to tinyurl.com/saratogaclass, Therapeutic Yoga: Sundays, 3-4 p.m, Joan Pisani Community Center, 19655 Allendale Ave., Saratoga, Free, RSVP is required to tinyurl.com/saratogaclass..

The sixth couple was Witney and Chehon, who did “the bench and sunflower” routine from Season 2 about unrequited love. Both dancers added their own touches and it was great, slightly short of the original by Travis and Heidi. Nigel told everyone the very personal story of how the sunflower represented Mia’s love for a man who was gay and so couldn’t accept her love. Nigel called it one of his favorite routines of all time, but Mary suggested that Chehon needs to learn to “let go a little more.” While Witney got “Wow” from the judges, Chehon got a job offer. Michael Nunn said, “Chehon, you’ve always got a job with us!”.

“Frances Ha” (R, 86 minutes, The Criterion Collection): The writer-director of this small, gemlike coming-of-age comedy is Noah Baumbach, son of former Village Voice film critic Georgia Brown and author Jonathan Baumbach, Three of its most arresting supporting players — Mickey Sumner, Grace Gummer and Charlotte D’Amboise — are the daughters of Sting, Meryl Streep and ballet star Jacques D’Amboise, Not to be outdone, the incandescent star of “Frances Ha,” Greta Gerwig, casts her own parents as her character’s mom and dad, roles they play with a bracing lack of self-consciousness or patronizing irony in a movie set squarely in that fraught nether-region between arrested adolescence and adulthood, Writing with Gerwig, Baumbach has created a fey, sneakily charming generational touchstone on a par with “Annie Hall” ballet shoes 3d model and his own “Kicking and Screaming.” And he has created a spectacular showcase for Gerwig, a creaturely, almost feral sprite whose instincts and born-ready camera presence have long been staples of hand-made indie productions, but have yet to find their rightful purchase in mainstream Hollywood, Contains sexual references and profanity, Extras include conversations between Baumbach and filmmaker Peter Bogdanovich, and among Baumbach, Gerwig and filmmaker Sarah Polley; featurette on the look of the film with Baumbach, director of photography Sam Levy and creative director Pascal Dangin; and booklet featuring an essay by playwright Annie Baker..

Skilled volunteers to help with repairs are also needed. To apply for needed repairs, go to www.rebuildingtogetherpeninsula.org/apply-for-repair or to get involved, call 650-366-6597 or email info@rtpeninsula.org. The exhibition celebrates this unique type of women’s wear with an in-depth look at female flight attendance attire from 1930 to the present. More than 70 complete ensembles and accessories are featured and reveal the design history and evolution of the airline uniform, its iconic status in popular culture, and its dynamic relationship to the world of fashion.

 

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